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AMELIA CARLEY
Work
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AMELIA CARLEY
Work
About
Contact
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0
Work
About
Contact
Available Works Mount Lucent (daybreak anecdote), 2018, oil on canvas, 84" x 72"
Mount Lucent (daybreak anecdote), 2018, oil on canvas, 84 x 72 inches, 2018..jpg Image 1 of 4
Mount Lucent (daybreak anecdote), 2018, oil on canvas, 84 x 72 inches, 2018..jpg
Mount Lucent (sunrise anecdote) (install) oil on canvas 84 x 72 inches 2018 $6400.jpg Image 2 of 4
Mount Lucent (sunrise anecdote) (install) oil on canvas 84 x 72 inches 2018 $6400.jpg
Detail - Mount Lucent (daybreak anecdote), 2018, oil on canvas, 84%22 x 72%22..jpg Image 3 of 4
Detail - Mount Lucent (daybreak anecdote), 2018, oil on canvas, 84%22 x 72%22..jpg
Detail 2 - Mount Lucent (daybreak anecdote), 2018, oil on canvas, 84%22 x 72%22..jpg Image 4 of 4
Detail 2 - Mount Lucent (daybreak anecdote), 2018, oil on canvas, 84%22 x 72%22..jpg
Mount Lucent (daybreak anecdote), 2018, oil on canvas, 84 x 72 inches, 2018..jpg
Mount Lucent (sunrise anecdote) (install) oil on canvas 84 x 72 inches 2018 $6400.jpg
Detail - Mount Lucent (daybreak anecdote), 2018, oil on canvas, 84%22 x 72%22..jpg
Detail 2 - Mount Lucent (daybreak anecdote), 2018, oil on canvas, 84%22 x 72%22..jpg

Mount Lucent (daybreak anecdote), 2018, oil on canvas, 84" x 72"

$7,200.00

My paintings depict uninhabited portrayals of a fabricated landscape. My process includes building a small maquette that utilizes a blend of man-made materials (aluminum foil, cellophane, acrylic paint, glass, glue, other found rubbish) with geological materials (sand, granite). I light these constructed forms for a particular time of day with colored gels then photograph them. The digitally manipulated images serve as painting references. 

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My paintings depict uninhabited portrayals of a fabricated landscape. My process includes building a small maquette that utilizes a blend of man-made materials (aluminum foil, cellophane, acrylic paint, glass, glue, other found rubbish) with geological materials (sand, granite). I light these constructed forms for a particular time of day with colored gels then photograph them. The digitally manipulated images serve as painting references. 

My paintings depict uninhabited portrayals of a fabricated landscape. My process includes building a small maquette that utilizes a blend of man-made materials (aluminum foil, cellophane, acrylic paint, glass, glue, other found rubbish) with geological materials (sand, granite). I light these constructed forms for a particular time of day with colored gels then photograph them. The digitally manipulated images serve as painting references.